Books You Should’ve Read in High School—West Coast

The Stranger (French: L'Étranger [letʁɑ̃ʒe], lit. 'The Foreigner'), also published in English as The Outsider, is a 1942 novella written by French author Albert Camus. The first of Camus's novels published in his lifetime, the story follows Meursault, an indifferent settler in French Algeria, who, weeks after his mother's funeral, kills an unnamed Arab man in Algiers. The story is divided into two parts, presenting Meursault's first-person narrative before and after the killing.

Camus completed the initial manuscript by May 1941, with revisions suggested by André Malraux, Jean Paulhan, and Raymond Queneau that were adopted in the final version. The original French-language first edition of the novella was published on May 19, 1942, by Gallimard, under its original title; it appeared in bookstores from that June but was restricted to an initial 4,400 copies, so few that it could not be a bestseller. Published during the Nazi occupation of France, it went on sale without censorship or omission by the Propaganda-Staffel.

It began being published in English from 1946, first in the United Kingdom, where its title was changed to avoid confusion with the translation of Maria Kuncewiczowa's novel of the same name; after being published in the United States, the novella retained its original name, and the British-American difference in titles has persisted in subsequent editions. The Stranger gained popularity among anti-Nazi circles following its focus in Jean-Paul Sartre's 1947 article "Explication de L'Étranger".

Considered a classic of 20th-century literature, The Stranger has received critical acclaim for Camus' philosophical outlook, absurdism, syntactic structure, and existentialism (despite Camus' rejection of the label), particularly within its final chapter.[3] Le Monde ranked The Stranger as number one on its 100 Books of the 20th Century.[4] The novella has twice been adapted for film: Lo Straniero (1967) and Yazgı (2001), has seen numerous references and homages in television and music (notably "Killing an Arab" by The Cure) and was retold from the perspective of the unnamed Arab man in Kamel Daoud's 2013 novel The Meursault Investigation.

Angela's Ashes: A Memoir is a 1996 memoir by the Irish-American author Frank McCourt, with various anecdotes and stories of his childhood.

The book details his early childhood in Brooklyn, New York, but focuses primarily on his life in Limerick, Ireland. It also includes his struggles with poverty and his father's alcoholism.

The book was published in 1996 and won the 1997 Pulitzer Prize for Biography or Autobiography. The sequel 'Tis was published in 1999, followed by Teacher Man in 2005.

The Haunting of Hill House is a 1959 gothic horror novel by American author Shirley Jackson. It was a finalist for the National Book Award and has been made into two feature films and a play, and is the basis of a Netflix series.

The author decided to write "a ghost story" after reading about a group of nineteenth century "psychic researchers" who studied a house and somberly reported their supposedly scientific findings to the Society for Psychic Research. What Jackson discovered in their "dry reports was not the story of a haunted house, it was the story of several earnest, I believe misguided, certainly determined people, with their differing motivations and background."

Excited by the prospect of creating her own haunted house and the characters to explore it, she launched into research. She later claimed to have found a picture in a magazine of a California house she believed was suitably haunted-looking. She asked her mother, who lived in California, to help find information about the dwelling.

According to Jackson, her mother identified the architect as the author's own great-great-grandfather, who had designed some of San Francisco's oldest buildings. Jackson also read volume upon volume of traditional ghost stories while preparing to write her own, "No one can get into a novel about a haunted house without hitting the subject of reality head-on; either I have to believe in ghosts, which I do, or I have to write another kind of novel altogether."

– Paula Guran